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Thu 17th Sep 2015 @ The Hope & Ruin

Headliner: Sealings
Event: Sealings 'I'm A Bastard' album launch
In support: Keel Her
When: Thu 17th Sep 2015
Time: 7:30pm
Age restriction: 18+

Sealings are a three-piece based in the dilapidated seaside resort of Brighton. Their debut LP I’m A Bastard follows numerous releases on UK independent lynchpins such as Italian Beach Babes, Tie Dye Tapes and Clan Destine Records. I’m A Bastard marks their first release proper on Brighton-based label Faux Discx, who have once again joined forces with the aforementioned Italian Beach Babes (as they did on Cold Pumas’ much celebrated 2012 release Persistent Malaise) to release the long-player.

Sealings are a band whose live show has been described as both “based more on confrontation than anything else” and “willfully abrasive”. To attempt to capture this mindset of total sonic annihilation Sealings recorded at home and in windowless ex-toilets, before handing over to like-minded peers MJ (Hookworms, Suburban Home Studio) and Mikey Young (Total Control/Eddy Current Suppression Ring) who mixed, and mastered the record respectively to both temper and bolster the group’s caustic tendencies.

The LP opens with live staple ‘My Boyfriend’s Dead’, a brooding drum machine-led seminar in despondency, which echoes The Jesus & Mary Chain, Rema Rema, Blessure Grave and other acts whose currency is misery offset by melody. ‘No Summer’ is an agitated post-punk assault, mordant guitars weave around reverberating vocals. This is followed by ‘Unnerved’, an unsettling noir workout that steadily builds in anxiety to noise-drenched completion. Elsewhere, ‘Malloy’ points to both the minimalist composition of Glenn Branca and the punishing assault of A Place To Bury Strangers. ‘The Ultras’ is a metallic and theatrical departure from the rest of the album, showcasing Sealings’ disparate influences which extend to both black-metal and rock & roll music, oblique blast-beats offset melodic rock structure. The album closer is an anomaly for Sealings in that it could be considered touching, that is, if it were not for the title; ‘I’m A Bastard’. Haunting blown-out synth by way of Warm JetsEno or cold-wave pioneers Ruth. Inventive guitar dramatics and jittering drum machines make way for genuine emotion and the album closes on a sombre and melancholy note.

I’m A Bastard is an LP that showcases the multitude of tricks that Sealings have mastered. Whether careering three-chord punk, industrial instrumental passages or fervent noise-rock, Sealings are beginning to carve their own individual place that owes much to each genre they mine from, whilst never being reductive of them.

The Hope & Ruin



11-12 Queen's Road


T: 01273 325793

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Sealings, Keel Her & Van Stonholdt @ The Hope and Ruin 17/09/2015

08/04/2015 By James McLarnon

Brighton-based 3-piece Sealings have built their national reputation through a series of increasingly coherent releases on underground labels that have honed their noise-rock/aggro-drone song writing, and a live show which has been described as “based more on confrontation than anything else”. The two years that have elapsed since their last release – the magnificently moody ‘My Boyfriend’s Dead’ single – can be explained by the forthcoming release of their debut LP ‘I’m a Bastard’ on Brighton’s own Faux Discx imprint. This show will mark the launch of that long awaited record and we foresee a performance that will go above and beyond their already fearsome reputation.

It’s always a welcome return for Rose Keeler Schaffer’s Keel Her project. She’s familiar to the area having lived and played in Brighton for some time prior to the release of her career retrospective, self titled LP last year, before moving to London. That album raised the national profile of an act that had been a mine of creativity over the years, so much so that Rose was at one point writing a song a day and demoing over 80 songs in one year. The quality of the quirky, lo-fi, c-86 garage pop gems was sufficient to ensure radio airplay from the likes of Lauren Laverne. Oh and she collaborated with R Stevie Moore not so long ago, cool huh?

Even within the context of a scene as varied as ours Van Stonholdt is close to unique. His 21st Century Problems EP, was created in true bedroom pop tradition with a £20 microphone. We’re not sure whether most recent tracks ‘Bubblewrap’ and ‘Gloria’ had the same restrictions, but it continued his flair for multifaceted psych-pop gems, like Brighton’s answer to early Ariel Pink.

James McLarnon